Skip to main content

Manmadhan Ambu: Hits the bull’s eye

Appeared in expresso, the daily supplement of The New Indian Express on Tuesday, 28th December 2010


Movies scripted by Kamalhaasan have always provided fodder for the grey cells. When a potent mix of humour along with a strong subject comes your way, which is what K S Ravikumar's latest directorial, Manmadhan Ambu (Cupid's arrow) is, rest assured that you have an entertainer.
Ambujakshi (Trisha), a successful actress who believes in long-lasting relationships, is engaged to Madanagopal (Madhavan), a leading businessman and a mama's boy, who is wary about her conduct with other actors and suspects her fidelity, leading to their breakup. Madan now deploys Major Mannar (Kamalhaasan) to spy on her. He travels in the same cruise liner that she and her friend Deepa (Sangeetha), a divorcee, do and gives constant updates about her activities, under the agreement that the medical expenses of Rajan (Ramesh Aravind), a cancer patient, are fully borne by him. A series of twists and turns, mostly rip-roaring, in the second half that also include Malayalam actors Manju Pillai and Kunjan, leave the viewers clutching at their bellies.
Certain dialogues between Deepa and Ambujakshi and Madan and Mannar about male and feminine stereotypes respectively give the impression that the director had sought inspiration from the book Men are from Mars, Women are from Venus!
Ambujakshi, as an ambitious woman, is reminiscent of Jessie, Trisha's character in Vinnaithandi Varuvaaya, and deserves special mention. It is not too often that a heroine, that too in a Tamil movie, criticises the film industry for running after fair-skinned ladies having little diction over Tamil.
The sequences in which Madan talks about life and women to Sriman (in a cameo) and over the phone to Mannar about his suspicions in drunken stupor are hilarious. Manmadhan..., however, takes time to position itself as a comedy movie (only by the second half). Kamalhaasan, needless to say, puts in an impressive performance, as does Sangeeetha.
Devi Sriprasad's music score, for a change, blends with the movie and is pleasant on the ears.

Comments

Popular posts from this blog

Nanban: Rancho speaks in Tamil, and how!

Bollywood fare, served with Tamil niceties When the recipes of Gobi Manchurian and Chicken Tikka can transcend national barriers and become a rage elsewhere, can’t we have different versions of an intra-national rage: a remake of a successful Bollywood movie in another language, for instance? Director Shankar answers the question with Nanban (friend), a faithful reproduction, nay a spitting image, of its original, the Aamir Khan-starrer 3 idiots , comprising its highs and lows with equal measure. The hero and the anti-heroes The flaws in our higher education system, especially engineering, and campus life unite to form a heady theme, with Vijay, reprising Aamir Khan’s cool dude-cum-Buddha-like role in the original, offering ingenuous solutions to many a conundrum. Did he levitate on screen? I don’t know; however, I am not willing to bet against it. Jeeva and Srikanth (after a hiatus), portraying Sharman Joshi and Madhavan’s roles in the original respectively, are hi

Tamil Nadu’s Thala-Thalapathy conundrum

Overrated, yet celebrated:  Tamil actors Vijay and Ajith, who command massive fan-followings “Oh, you watch Tamil cinema? So, you must be a fan of  Thala /  Thalapathy ?” Trepidation must be the watchword when one encounters these statements. For, this refers to a syndrome that has divided film freaks of Tamil Nadu into fans of Kollywood’s leading (well, at least expensive) actors —  Thala  or Ajith Kumar and  Thalapathy  or Vijay. Chances are, the manner in which you will be treated from then on depends on your reply. Behold the Thala-Thalapathy syndrome. Such is its omnipresence that no Tamilian worth his salt can ever claim to have escaped it ( Thala  and  Thalapathy  roughly translate to “leader” and “commander”, in Tamil). Industry buzz has it that Vijay’s moniker lends credence to the theory that he is the “successor” to Rajinikanth’s mantle in the industry ( Thalapathy  was one of Rajini’s biggest hits); Ajith’s nickname is to establish that he is a leader

7am arivu: Chennai-China Medley Falls Flat

Should ever a book titled ‘The Art of Deception by Flattery’ be authored, A R Murugadoss’ 7 am arivu (the seventh sense) would probably rank atop in its index; it could even be a case study on how to crash land viewers’ expectations after building it up to a crescendo. The movie begins with a flashback, when we are told that a Pallava princeling (Surya) migrated to China and became the Shaolin master we know today as Bodhidharma.  Six-pack that packs a punch Cut to the present. Subha Srinivasan (Shruti Hasan – actor Kamal Hasan’s daughter making her Tamil debut) is a student of genetic engineering whose research causes the jitters to the People’s Republic of China, forcing them to send a spy, Dong Lee (Hollywood actor Johnny Nguyen, who was also a stunt double in Spiderman and Spiderman-2 ) to bump her off and spread an epidemic in India. (Are we taking a cue from Hollywood, which during the Cold War era vilified then USSR?) Thrown in the conundrum is Aravind (Surya again) a ci